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The dishes of the Mirazur, the best restaurant in the world (with so much Italy) – Italian Cuisine

The dishes of the Mirazur, the best restaurant in the world (with so much Italy)


200 meters from the border with France is the first venue for The World's 50 Best Restaurants 2019. A beautiful place, a temple of natural, light and classy cuisine. Here are the iconic dishes of chef Mauro Colagreco, with many tricolor references

The whole world, but above all a lot of France and a lot of Italy. It could not be otherwise: for the location of the restaurant, for the story of the chef-patron, for the composition of the brigade. The French will be furious – as in the song Bartali by Paolo Conte -, but the Mirazur (best restaurant for the The World’s 50 Best Restaurants 2019) we feel it is ours and not a little. We explain. The place is located exactly 200 meters from the border between Italy and France. Moreover, Menton can be considered the most "Italian" French town or the most Italian town in the French territory. His director is 43-year-old Mauro Colagreco, an Argentine by birth, with three Italian and one Basque grandparents, and a Brazilian wife. He actually became a cook in Buenos Aires and learned haute cuisine in France – among the myths like the late Bernard Loiseau, Alain Passard and Alain Ducasse -, but even if he never worked in our country, he knows everything about Italian cuisine . Finally, in the brigade thirteen people arrive from Italy: the Neapolitan Antonio Buono is the historical right-hand man, the Milanese Davide Garavaglia the saucier that Oltralpe plays a fundamental role, the Brescian Annalisa Borella leads the pastry shop.

Three Michelin Stars from January

Colagreco opened Mirazur in 2006. «It was a place closed for 4 years, an immense structure far from the center of the country, on the French Riviera where there is so much competition and people come only in the summer. We were three in the kitchen and two in the room: I thought I would last a few years and then return to Argentina, "he said. Instead, it went very well for him. Michelin star in a year, bis in 2012, tris last January: no Argentine had ever achieved such results. For ten years Colagreco has been firmly in the top ten of The World's 50 Best Restaurants: it had debuted in 35th place in 2009 and here it is on the highest step of the podium, even if it is human to think that the new regulation of the ranking – which has created a Hall of Fame for the already winners (like Can Roca and Osteria Francescana) – he favored it. But for years it has been at the top (sixth in 2016, fourth in 2017, third in 2018) and has seized the golden opportunity.

Mer, jardin and mountains

The Mirazur is an oasis of great cuisine, enclosed between the sea and the mountains, with a spectacular vegetable garden that provides fruit (citrus fruit in particular), vegetables, herbs. Colagreco feels lucky "I am an Argentine in the midst of two great culinary cultures, the Italian and the French, who enjoyed total freedom of expression. I had the chance to tell a territory like never before, because I didn't have pre-established schemes, I go from one territory to another without borders. I look for, I study, I try . Indeed it is, beyond his talent – formidable on the vegetable – and his experience. Following in part the master Ducasse, who has never hidden a Ligurian-Italic inspiration in the menu of the Louis XV of Monte Carlo, he creates very light, "fresh", very colorful dishes. Definitely much more contemporary and Mediterranean than the classic and French. With a total seasonality and a philosophy based – he always repeats it – on three fronts: Mer, Jardin and Montagne.

Only surprise tasting

There is no paper, only a tasting for 260 euros and another, only for lunch, even more centered on the territory, proposed at 160 euros. Tradition? Very little. "I love it is clear, I believe that it should be treasured, respecting it and then making it evolve", is his opinion. Any dishes? Just to guess, since it churns out dozens every year and loves the surprise: on the official website of the Mirazur there is only philosophy and Mauro notoriously does not like to explain the recipes. So just to guess we tell you that among the last dishes there are Beetroot in salt crust of the garden with caviar cream (in the photo at the opening); Chicken coop eggs with smoked eel and hazelnuts; Potato brioche with melted egg and white truffle; Domestic pigeon, spelled and wild strawberries. The bread to share is imbued with ginger and served with a poem by Pablo Neruda. Colagreco, who made himself known to the TV audience as a judge – quite naughty – of Top Chef has a precise vision of our kitchen. "Tradition, product, modernity, above all diversity: North, Center, South … I love diversity, it is a treasure to be preserved. Italy has been the country most ready to absorb historically the influence of other cultures. He is a traditionalist, but must always be evolving . Perfect, it's (almost) one of ours

A World of Coffee – Italian Cuisine – Italian Cuisine


An adventurous journey, from Naples to Melbourn, passing through Arabia, Egypt, Brazil, to discover coffee

Twenty-five milliliters, so much measure the soul of coffee. Among the remaining certainties, which survived the weak thought, this remains to the Italians. But apparently it is only a film of disassembled sovranista bill, frame by frame, in a heretic booklet that reveals: that is only the number of the espresso, the content of a coffee cup, one of the many ways (and perhaps not even the best) to extract coffee drink.
Word of Andrea Cuomo and Anna Muzio, the heresiarchs authors of Coffee world, fresh print for the types of Cairo in the series of ilGolosario.
Paolo Massobrio was the first to bet on the project, or the first declared attempt to "tell Italians, as Italians, coffee as a universal product". A kind of hecatomb. According to the authors, in fact, if it is true that the language of coffee is Italian, so much so that the glossary used on a planetary scale is declined in the language of yes, it is also true that the Italian primacy belongs to a past era. The empire of the Specialty and the protagonists of the Third Wave (two words on which we will return), are elsewhere, like in Australia. Gulp.
And it would be the least, were it not for the fact that the coffee plant is originally from Ethiopia is discovered if you are looking through historical documents and maps as the two authors did scrupulously. That before arriving on our shores, from the Abyssinian region of Kaffa, Coffea has spread to Yemen and from here to the rest of the world, via Arabia and Egypt. Again, Brazil is the leader among the producer countries. And among consumers? Niet: Italy is only 18th. But then? To breathe a sigh of relief, we need to get to page 152, where between the coffee cities, Naples is celebrated as "unquestionably, the Italian and world capital of espresso", and
finally, take a sip of hot black coffee straight from the tazzulella as a consolation prize. Noting, however, that the creamy sauce with a lot of sugar, the one that makes us pride ourselves, is obtained from Robusta, which is the most widespread variety in Italy but also the most bitter, aromatically less complex and therefore subjected to greater toasting. of the two varieties of Coffea in use. In other words, less noble than the Arabica, which is superior to the bouquet, it contains more oils and twice as many chromosomes.
In short, it is worthwhile to get over it: "Coffee is everywhere, it belongs to everyone and it belongs to no one" and to leave with Andrea Cuomo and Anna Muzio on this 320-page journey, including thanks, around the coffee world. Sink your nose into the magnum sea of ​​information on the daily beverage of which we know practically nothing, and discover its history, botany, geography, guess its perspectives and pillage anecdotes page after page. A lot of anecdotes, many of them entrusted to framed and art-titled notes, and salacious background, like the alternate fortunes enjoyed by the coffee or immediately during the
centuries: in 1746 Sweden forbade not only coffee, but also dishes and cups that were confiscated by the police; in 1674 the pamphlet The woman’s petition against the coffee was published in London, advocating the closure of coffee houses as a pastime that made husbands “sterile like those deserts from which the unhappy grain is said to come”; while Pope Clement VII, who went mad immediately after having tasted it, not only approved it but declared that it could even be baptized. As if to say that the Catholic Church, when she likes it, gives it to drink as she wants. An adventurous crossing guided by a salacious, dense and often amusing prose, which when it is the case takes sides. Certainly against the sweeteners "the Caporetto of the taste" and respectful but lukewarm towards the sweet coffee option, especially when the sugar intervenes to cover the defects acting as "exterminating angel of the organoleptic heritage of the coffee". In short, behind and around the coffee there is a world that, starting from this volume with a didactic vocation, reveals itself by returning a sense to the mechanical nature of a gesture consumed every day but without love and too much haste. Unlike what happens in the Specialty corners where coffee learns to know, taste and choose above all, because the varieties are as many as the extraction methods.
And even to taste: Cupping, it is said, a thing for expert lovers who, like petting, do it slowly. The rest is in the hands of the bartender, the absolute protagonist of the first wave (when coffee was considered a low-priced mass product, when "the best coffee in the world was our espresso"), the second wave in which new ones have taken hold recipes for coffee preparation but above all greater care and awareness with respect to roasting and preparations, and finally the third wave, that of Specialty coffee shops with the cult of raw materials and preparations.
At the end of the reading, the acquired knowledge is at least two. If it is true that Italy is no longer the navel of the coffee world, and that Naples must play with Melbourne, it is also true that "the handful of Italian immigrants who brought it here (in Australia, ed), the first machine for espresso, making it travel for 16,300 kilometers, they can be proud of the result achieved by their heirs ”.

Tapas, never again without. Spanish morsels conquer the world – – Italian Cuisine

Tapas, never again without. Spanish morsels conquer the world -


In Spain they are an unshakable institution, a national habit that, even outside the border, is loved more and more – think that in June we even celebrate the World Tapas Day. Not just aperitif: the tapas brighten up and solve our convivial dinners. And if, according to science, cooking for others is a real cure for our health, they are the perfect solution to enjoy lively morsels in the company even at home.

First we make a distinction: there are ‘tapas’, which are the appetizers that plug the small hole in the stomach that you have at a certain time, when the work day is over and a glass of wine falls into our hands … They are spread throughout the Iberian peninsula and are more similar to our appetizer. And then there are the ‘pinchos’, the sophisticated tapas of the Basque country, an internationally recognized land as a gourmand, where the morsel rises to a mini culinary masterpiece.

The accompaniment of a alcoholic beverage – wine and beer in the first place – is the rule, while non-alcoholic is not contemplated. There main difference with the Italian aperitif is the social aspect: while we conceive it as choosing a place to sit, drink and tease before dinner, in Spain – Basque land or not – it is atraveling experience. The ‘tapeo’ or ‘ir de tapas’ is moving from bar to bar to another glass accompanied by a new snack. Often on the weekend there is dinner based on tapeo: instead of ‘comer’, eating is preferred ‘Picar’, tease. In the Basque Country in particular, this often happens in feet, which makes social exchange even more lively.

Tapas can potentially be anything. The most famous of all is the tortilla, of course, the tall and creamy omelette with potatoes. And also in the pinchos or "Pintxos" – as we say in Euskera, in Basque – we can indulge ourselves in infinity (it also exists an excellent app called "Pintxos". To quote some of the more typical: cod (that is different from the stocafisso!) with aioli sauce (which also tastes great with stockfish!) or the ‘pincho de la carrillera’, or the beef cheek with a sauce that could be made of apples rather than caramelized onions.

While tapas are more like what could be served in an Italian aperitif – often the basis is bread, with anything above it, from anchovy on – especially in the case of pinchos, it is often a question of real mini-portions of dishes that in one meal could be main secondary dish. So much so that in many cases instead of pincho – of Russian salad rather than mushroom skewer or grilled squid – you can order the 'ración', that is the portion. To share, or make dinner.

In the Basque Country friends are rarely invited home: they are rather invited to go for pinchos. Not so with us. But what about invite friends to "go for pinchos" to your home? For a different and fun dinner, you could set up two or three ‘bar de tapas’ or ‘bar de pinchos’ in your home! Thus, even if the rooms are small, the guests can be moved to small groups of bars in bars, each – just like in reality! – with his specialty. It could be a point that offers morsels of sea, for example skewers of prawns and bay leaves and grilled aromatic calamari; one that serves foods of South American inspiration, like the mini tortillas revisited in Italian and the Mexican peppers and one addressed to the cheesespuff pastry with toma and caramelized onions and buffalo rice balls.

The selection just made? Absolutely arbitrary and fantasy! You can indulge in your imagination, feel like experience and art in recycling of leftovers (for example, those of chicken). Prepare everything first, prepare the individual portions, prepared as a bar – with a lot of alcohol in the various points, maybe a sangria on one side and a Brazilian cocktail on the other.

The important thing is the appearance of the eye: the whole counter must be visually rich in pinchos, from immediate stimulation of salivation. And every morsel itself is taken care of in the look: even the most banal slice of bread with tuna and pickle is presented in 'more 3D' form, one could say. More scenic, in short: for example, place the gherkin or chilli or tomato not among the tuna and bread, but above the tuna steak, proudly soaring, pierced by its toothpick, ready to be challenged and tasted.

Carola Traverso Saibante
July 2019

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