Tag: Venice

as in Venice the end of the plague is celebrated – Italian Cuisine


This recipe is eaten on November 21, the symbolic date of the end of the plague of 1630. Chef Chiara Pavan reinterpreted it in this way during the Identità Golose 2020 congress, with the same ingredients (cabbage and mutton) and with the same wish

On November 21 in Venice is celebrated from 1630, the end of the plague which affected a million people in Italy. The epidemic is the one narrated in The betrothed, but in Venice on this autumn date the defeat of the Black Death is celebrated and the Madonna della Salute is celebrated (in that church built precisely to thank the saint for the end of the pestilence). It is done in the kitchen, with one cabbage-based soup grown in the fields and gardens of the lagoon and of little smoked mutton and seasoned that arrived by ship from nearby Dalmatia. A dish that appears poor to us but which at the time, and after a year of torment, was the best that could be put on the table.
Local, seasonal ingredients and little meat, preserved with traditional methods and eaten on a special day: the starred chef Chiara Pavan of the Venissa restaurant, on the island of Mazzorbo in Venice, has dusted it off because it is absolutely current, in the philosophy of using raw materials and because we all look forward to celebrating the end of this 2020 pandemic; and maybe come out really better.
The recipe he brought to the stage of Identity of Champagne by Veuve Clicquot at the event Identità Golose 2020 (which moved online this year) was this. Perfectly in line with the type of cuisine he offers in Venissa, and in combination with a great champagne such as La Grande Dame 2008 with a pinot noir base.


Venissa's environmental kitchen

Chiara Pavan's cuisine looks to the territory, and by territory in Mazzorbo it means the vegetable garden that she cultivates in the middle of the lagoon with herbs, vegetables and collecting the spontaneous plants that grow in the grass. "The cuisine we do tries to be the expression of the place where we work, that is the lagoon and even more particularly the Venissa estate. The first goal is that the guest who sits at our table perceives a strong coherence between the place he is visiting and the dishes he eats. Our kitchen has certain characteristics in this place, and it certainly wouldn't have the same style if we were to cook elsewhere. It is, that is, a strongly environmental cuisine. The term environmental fits in two ways: on the one hand because it describes the dependence of a cooking style on the environment that surrounds it and on the other because it denotes the obsessive and extremely current attention to the environmental issue".
Everything has a special flavor, savory and therefore amplified, which in the dish translates into the use of vegetables as protagonists. «Vegetables are, in fact, the great protagonist of our menu. Sometimes, even the fish is only the accompaniment of the vegetable, acting as a texture. The vegetable is the protagonist of our dishes also (and perhaps primarily) for an "environmental issue". In fact, we believe that the tendency to eat more and more vegetables will and must be dominant in the future. A diet rich in animal proteins (possible only thanks to farms which are among the main causes of global warming) will no longer be environmentally sustainable and we will be (or our children will be) forced to turn mainly to the products of the earth .

The cabbage becomes the protagonist

In his recipe for liberation from the pandemic, freely taken from Castradina Sciavona, the cabbage is cooked in the whole oven, then it is pressed in the press, as in classic French cuisine it was done with meat. «The juice is thus obtained, with which a sauce is made by reducing it and adding fermented cabbage juice. The cabbage remains compact, with an almost fleshy consistency, is cut into pieces, browned with butter and mutton garum . The vegetables are cooked in a pan like a classic piece of meat, and a mutton-based preparation is used to flavor it, made in the restaurant with the aim of using every part of the animal. «There is no waste in the kitchen. The technique of fermentations, predominant in the latter menus, has therefore allowed us to achieve a double result: obtaining savory and acidic tastes, very much in keeping with the way we want to describe the lagoon experience through food and not waste ". The cabbage is then served with a chopped raw mutton, the sour and sweet sauce made from cabbage, grated dried mutton and watercress from its lagoon garden.

Eleventh commandment: do not waste

This dish does not exist on the menu, but some elements recall other preparations dear to Chiara. «We make a garum of sardines to season spaghetti, produced thanks to the scraps of the sardines (heads and bones), and we make other garum of scraps and also, for example, a bread miso (with the scraps of old bread). All the fruit and vegetables that we produce in excess have found, in fermentations, an excellent and ancient method of preserving, which does not require the use of plastic and electricity consumption for keeping in the freezers. The fermentations plants are also, in our opinion, a great food of the future, because they are rich in lactic ferments that nourish the bacterial flora of our organism (those who study the intestinal microbiota in medicine, argue that a diet attentive to the bacterial flora is the basis of medicine preventive and we believe it!) ".
In the hope that we will come out better from this pestilence, at least in the kitchen.

Vanity Stage in Venice with Di Domenico, Fasano and Mandolini – Italian Cuisine


The three young actors were the protagonists of three unique Vanity Stages, in the Campari Lounge, during the Venice Film Festival. Interviewed by the director Simone Marchetti, they talked about «what young talents dream of and more

What do young talents dream of? Three promises of Italian cinema – Juju Di Domenico, Rocco Fasano and Riccardo Mandolini – they told us about it in Venice, without filters, revealing itself as never before. In the Campari Lounge at the Terrazza Biennale, during the 77th edition of the Venice Film Festival and via streaming, in three unique Vanity Stages, which also this year have united Vanity Fair is Campari, main sponsor of the Festival, to tell the story of Italian cinema.

Interviewed by the director Simone Marchetti, the three actors revealed the goals, ambitions and hopes of the "most beautiful job in the world".

Juju Di Domenico, born in 1997, quickly became the face of some very popular fiction, such as Curon. Particular signs? The tenacity. Rocco Fasano. Born in 1994, he is also a pianist and model. From SKAM Italy we will see it soon in Do not kill me by Andrea De Sica. Riccardo Mandolini, the Damian of Netflix's cult series Baby that is about to debut with the third season (from September 16), and is preparing to play a leading role in the cinema.

Juju Di Domenico

"I woke up at 6 to support, online, a university exam. German translation. Even though I am a native speaker, I have my difficulties. To copy? No, the grade you get is what you deserve. Nerd? Nooo, actually I have copied many times .

“Mine is a Chinese name. Mom, who is from Pescara, and dad, who is German, when they know each other they speak in English and give themselves the nickname "you", or "you" in English. When they find they are waiting for me they decide to call me as if I were their product, "you you", only it is not possible to invent the names of the children and they look for a similar sound around the world until the Chinese embassy replies that in China JuJu exists. The original meaning is flower .

"Just finished kindergarten, in Germany, I wanted to keep playing. There, in kindergarten, I played the cook, the teacher, and then in the first grade I looked for acting courses. From there I continued to play and act .

«I gave up many things, days with friends at the beach, holidays, to continue on this path. I don't mind but I know I missed moments".

“If I close my eyes, in ten years, I would like to be first happy".

Juju Di Domenico.
Juju Di Domenico.

Rocco Fasano

“When do they tell me I look like Robert Pattinson? I'm flattered. Great actor, but we're very different. I come from Basilicata. My real training was music. I studied at the Conservatory. The relationship with the piano taught me the relationship with music, rhythm. Today I found myself in acting .

«My parents pushed me to study something less artistic, in fact I enrolled in Medicine. I've been a while the black sheep of the family. I've always had the dream of acting, I've always looked for an alternative dimension ".

«The best moment? Immediately after Skam. Throwing myself into my character was a good one emotional challenge. Interpreting complexity is a gift, you also grow as a human being .

"Categorize it is limiting, especially when it comes to some issues such as gender identity, sexuality. In my opinion we must not enter into schemes defined by others, but we must define ourselves .

"There sensitivity it's a magnifying glass. '

Rocco Fasano.
Rocco Fasano.

Riccardo Mandolini

"When I was little I was the pestiferous son in the dressing room. My mother's best advice (Nadia Rinaldi, ed)? Always believe in this job, despite the ups and downs .

"Being an actor is a roller coaster. Being young means that I have everything from learn".

"I haven't graduated yet, when I was younger I made many mistakes. And when you hit your head, you come out knowing yourself more and more. L'error more important? Not having listened to the right people several times .

"Rome that's all for me. "

"Between ten years I would like to be here again, talking about cinema, acting .

“The thing that makes me the most fear? The love".

Riccardo Mandolini.
Riccardo Mandolini.

You can review the interviews on https://vanitystage.vanityfair.it/

Venice Renaissance – Celebrating Italian future, the Vanity Fair event in Venice – Italian Cuisine

Venice Renaissance - Celebrating Italian future, the Vanity Fair event in Venice


Photos of the dinner organized by Vanity Fair and Tendercapital on the occasion of the Venice Film Festival

To celebrate the special issue of Vanity Fair "Love Letter to Venice", entirely dedicated to the rebirth of the city, last night the Condé Nast weekly organized the dinner "VENICE RENAISSANCE – CELEBRATING ITALIAN FUTURE", a dinner designed to promote and support the patronage activities in the Lagoon together with Tendercapital Productions, a film production company belonging to the Tendercapital Group in competition at the Venice International Film Festival with "PadreNostro", a film shot by Claudio Noce and starring Pierfrancesco Favino, Barbara Ronchi, Mattia Garaci, Francesco Gheghi, in addition to the friendly participation of Antonio Gerardi and Francesco Colella.

The director of the weekly Simone Marchetti and the President of Tendercapital Moreno Zani welcomed the guests in the spaces of the Antichi Granai of the Hotel Cipriani.
To accompany their arrival the DJ set by Marco Ossanna with Maestro Stefano Serafini on trumpet.

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