the New World of Italian pastry – Italian Cuisine


Best pastry chef, best breakfast, always among the best patisseries in Italy. Paolo Sacchetti has won everything with his pastry shop Nuovo Mondo di Prato. But first of all he remains a greedy of life. We went to have breakfast with him

Paolo Sacchetti has more than fifty years, white hair and the enthusiasm of a teenager. He seems to face life as a greedy sinks the spoon in a dessert of good ones. He loves to tell how as a boy he ate up to 25 pastas a day, a perfect way to show how passionate and reckless he is.
Fiorentino, he built the New World in Prato he wanted thanks to his wife Edi. She worked in a wool mill as an accountant, one of the first to close with the textile crisis, and it was she who had the idea of ​​opening a pastry shop. They set up on their own, it was 1989 and today the Nuovo Mondo patisserie is a mecca for gourmands. At their side to work together, their son Andrea "Sacchettino" Sacchetti. And out of the queue.

In the sector he is now more than known, vice-president of the AMPI, Italian Pastry Chef Academy whose president is Iginio Massari. To the general public he arrived thanks to TV, face of The masters of panettone, the first broadcast dedicated to the best Italian yeast makers. His panettone is always in the rankings among the best in Italy, but for Prato he is the man of the Prato Peaches; and with peaches we mean bombs of brioche dough filled with cream and soaked with alchermes.
Best Italian pastry chef in 2012, Best Italian breakfast for the Gambero Rosso guide in 2015 and always every year among the best pastry shops. And to say that the place is small, not at all flashy, in a town in the Italian province that has seen better years from an economic point of view. A long and narrow place, half occupied by the window and with just a corner at the end to have a coffee and have breakfast standing. It soon becomes clear that the substance is being looked after here.

I will never get tired of sweets. Good things cannot come to boredom

The real Italian pastry

"All the tourist cities do not have good bakeries, it is frequent. Where instead the customers are local the quality rises ", says Sacchetti, who in Prato divides the square with many top-level patisseries and even a world champion like Luca Mannori. The people of Prato are really passionate, of the groupies, so much so that they queue up to discover the new creations presented each year at Eat Prato.
No American weeding cakes and cupcakes, in the New World the language is that of the most traditional Italian pastry, the most locally possible raw materials and the knowledge of the textbook technique. There are no winks to the fashions of the moment: and the story of Italian pastry, from the grandmother's cake to the profiteroles, is staged. Next to the mignon, plum cakes and apple pies, bignolata and tiramisu are baked, and a Fedora light as a feather: the essence of pastry because it brings together some of the fundamental bases such as puff pastry, sponge cake, custard and cream whipped, all enclosed in a chocolate leaf. "Massari of these has eaten two in a row".

The breakfast

"In all of Tuscany, breakfast is a must", and in fact the variety of proposals, mixtures and recipes is extraordinary. In the New World you can find the butter-only French croissants, the Italian-style croissants with egg, the mother-yeast croissants, the apple puff, the Calfoutis with cherries, the ricotta and orange tart, the cream-filled chocolate Saccottino dense and brown, the long Cornetto with apricot jam in which the jam is all along the dough to feel it at every bite, and the Cornetto alla torinese, with its tips almost touching. If you enter and ask for "a brioche", they give you a Polish, classic Italian brioche with 900 g of butter on kg of flour. "But for breakfast the most sold is always the Sfogliatina with the cream".

The inventor of the cremino

A brioche without yeast, a heresy invented by Paolo Sacchetti, presented to the masters of the ANPI in 1998 and now spread throughout Italy. It is very practical: you can work it first, freeze it, it has no yeast, but very much butter, and you cook it from frozen. The result is a breakfast consisting of 30 g of brioche dough rich in butter and 30 g of custard.

The Tuscan tradition

Classics of the region for breakfast the Pappatacio, made with raisins and called so because it seems to be attacked by dog ​​parasites; the Parisian (Venetian with cream), the rice pudding; the Scendiletto, two sheets with a pastry cream finger, so called because it was the first dessert made in the morning by the pastry chef who invented it. The New World also produces Biscuits from Prato, Ricciarelli, Quaresimali, Schiacciata alla fiorentina or with grapes and, in season, rice fritters and rags.

The leavened

The panettone here is classic, with raisins, orange and cedar and topped with an almond glaze. They produce it from November to Epiphany and to get one, it is better to reserve it in advance; also because you have to go to pick it up in person, other than the internet. The handmade doves are produced in the three weeks before Easter, the pandori only under Christmas and only on order. All year round you can find the Giulebbe, a panfruit-shaped panettone with all the products of the territory: dried figs from Carmignano instead of raisins, walnuts from Val Bisenzio instead of candied fruit and glazed pine nuts. In combination, the sinful jar of zabaione with vin santo.

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Summer cold pasta: our favorite recipes – Italian Cuisine


Long live the summer, long live the pasta. Cold, seasoned, perfumed, to be served in a large bowl. To offer it, share it and have fun eating it all together. Much more than a first, is a"Idea of ​​happiness to try at the tip of a fork between laughter and another, perhaps in a long table set on the terrace or in the garden. The cold pasta we chose for the cover was prepared with vegetables and salami and won us over with that grilling soul … irresistible. But the ideas do not end there. In the gallery above you will find pesto cold pasta, with prawns, mozzarella, beans, hot sauce, fish and much more.
PS: let yourself be surprised by the long formats!

CI01605.pdf

Our 50 cold pastas:

Here then are ours cold pasta recipes with peppers, with shrimp with quick pesto and mint, with marinated crudités, with blueberries and currants, true, cold pasta salad, with rocket pesto, with anchovies, with ricotta pesto, with cherry tomatoes, oregano, mozzarella, to the Mediterranean, with tuna sauce, with shrimp, exotic, cold aromatic paste, with olive pesto, with grilled vegetables, spicy, with fish, sformed with vegetables, with vegetables and aromatic herbs, pasta salad, cold peppers snails, short pasta with rocket and baby squid, pasta salad with three colors, with peppers and zucchini, cold half sleeves with mixed vegetables, cold lasagna and vegetable pie, cold butterflies with peppers, shells with cold bean sauce, salad of pasta and sword, Cold "gnocchi" with tuna, cold feathers with robiola, spicy cold tiles, cold butterflies in spicy sauce, cold propellers with plums and tuna, cold sedanini in egg sauce, cold butterflies and double pesto beans, pasta salad with pickles and rocket, pasta salad, mango and bresaola, chicken salad with pasta and eggs, pasta salad curry, pasta salad with vegetables and salami, Saracen tagliolini in salad, salad of scratchers and salmon, orecchiette salad, cold paccheri stuffed with squid, cold pipes with zucchini, cold shells, sword and zucchini and ditalini salad, fusilli salad with lobster.

WE COOKED FOR YOU

Cold pasta with peppers

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Cold pasta with marinated crudités

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Cold pasta with blueberries and currants

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Cold pipes with zucchini

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True cold pasta

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Cold pasta salad

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Cold pasta with rocket pesto

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Cold pasta with anchovies

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Cold pasta with ricotta pesto

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Cold pasta with cherry tomatoes, oregano, mozzarella

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Mediterranean cold pasta

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Cold pasta with tuna sauce

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Cold pasta with prawns

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Exotic cold pasta

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Aromatic cold pasta

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Cold pasta with olive pesto

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Cold pasta with grilled vegetables

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Spicy cold pasta

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Cold pasta with fish

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Cold pasta pie with vegetables

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Cold pasta with vegetables and aromatic herbs

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Pasta salad

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Cold snail with peppers

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Short pasta with rocket and baby squid

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Three-color pasta salad

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Cold half sleeves with mixed vegetables

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Cold mess of lasagna and vegetables

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Cold butterflies with peppers

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Shells with cold bean sauce

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Pasta and sword salad

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"Gnocchi" cold with tuna

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Cold robiola pens

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Spicy cold tiles

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Cold butterflies in hot sauce

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Cold propellers with plums and tuna

WE COOKED FOR YOU

Cold sedanini in egg sauce

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Cold butterflies and double pesto beans

WE COOKED FOR YOU

Pasta salad with pickles and rocket

WE COOKED FOR YOU

Pasta salad, mango and bresaola

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Chicken salad with pasta and eggs

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Pasta salad with vegetables and salami

WE COOKED FOR YOU

Saracen Tagliolini in salad

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Grated and salmon salad

WE COOKED FOR YOU

Orecchiette salad

WE COOKED FOR YOU

Cold paccheri stuffed with squid

WE COOKED FOR YOU

Cold shells, sword and vegetables

WE COOKED FOR YOU

Ditalini salad

The menus with the photographs do not please the chefs (but the customers do) – Italian Cuisine


We associate the menus with photographs to tourist traps. Instead they are just the most effective communication tools. Are the sealed menus about to set? Google, Deliveroo and even two three-Michelin-star chefs say yes (and dust off pictures)

There are different types of writings, this is technically an invective. Against the menu that are in fashion today. In the space of a few years we passed from the insistent description of raw materials and processing to hermeticism. The Spaghetti with tomato sauce no longer exists. First it was all one Taldeitali spaghettone bronze drawn with 12-hour San Marzano cherry tomato coulis and basil confetti. Then we switched to Tomato / Basil. From pink romance pornography with a flood of winking descriptions, to small yellow book clues. From taking off every surprise of what you will eat, to not understanding not even what you are ordering: will it be a first or a second? With the deconstruction of the menu and the multi-purpose dishes, even to understand what course is being ordered has become a quiz. The more timid try to be on the safe side, the curious baffle the waiter with questions, the majority ends up discovering that he would have ordered the nearby table plate.

The dictatorship of the fixed menu

There were the mileage menus, the plastic ones, in which from the A of Appetizer of the House to Z of sautéed Zucchini, you could order almost any dish ever born since the times of Artusi. Then increasingly shorter, seasonal, rotating lists, tasting menus "recommended" for the whole table. Eventually the menu also became superfluous, once the restaurant was chosen, it is given.
Having a card means more line work, more raw materials to find every day, more dishes to prepare, having to deal with the clients' impromptu requests. In the name of "no waste" and the philosophy of the chef, it is better to do as he says. In many gourmet restaurants the choice is between a longer menu, new dishes, and a shorter and more economical one, with great classics; in others the trend can be chosen only between the quantity of courses (7, 9, 25 …), sometimes not even that. From Copenhagen to Colombia, the trend is the mono-menu, rather than a tasting it is a set menu and to be able to choose you must be mortally allergic to something.

I wonder what could be wrong in making customers understand what they are going to order.

The efficient menu

The menu with the photographs is cheap, makes tourist restaurant on the passageways with "throws in" at the entrance. Or it is the most effective and efficient means of communication available in the image society we live in today. Someone arrived there. Massimiliano Alajmo in Piazza San Marco at Grancaffè Quadri illustrated the menu with lots of photos to explain unequivocally what comes when you order the Continental Breakfast or the aperitif. Ok, Venice is a tourist city with people coming from every corner of the world, without necessarily speaking fluent English, but when the menu illustrates it you find it from ALT Station of taste, half of the truck restaurant half autogrill in the deep province of Abruzzo, in Castel di Sangro, means something. Niko Romito it is a practical one that looks to the point.
Without the need to know how to read, to order just point a finger. And especially in the case of exotic kitchens and unknown recipes, the image is a universal language. For us Italians the difference between spaghetti and tagliatelle is clear, but will it also be clear for those coming from the Congo? The illustrated menus are very popular in tourist cities as cultural mediators, as in restaurants with international cuisine. I challenge for an Italian to know the difference between a taco, a tostada, a quesadilla and nachos. From tex-mex chains in shopping malls to Italian restaurants in the world, illustrated menus help waiters and customers.

From American diners to Japanese wax sushi

In America the phenomenon of illustrated menus began even before restaurants could afford to take photographs. The illustrations were cheaper and the filling of the courses became the job of the professionals in the tempera. It was thus until the democratization of the printing processes in the 1950s, when the spread of food photographers and food stylists became popular. The idea was practical: to explain to everyone, even without having to read, the nature of the dishes, to make them more palatable and understandable, to be ordered at a glance by levering on the mouth watering.
In Asia, photo menus are the norm, in China as in Japan, where even the explanation becomes 3D with bowls of ramen and sushi in wax. "Cooking" i sampuru (from the English sample, example) were born a century ago just to explain the nature of dishes then unknown and took hold to make life easier for tourists; and to the Japanese who are notorious for having foreign languages ​​as badly as Italians. It works.

The history of the menus

The menus of the restaurants are ethnographic finds of our history, anthropological expression of our society. In lustres of distance they end up exposed in museums, in the center of studies, published in collections like Menu Design in America, 1850–1985 published by Taschen. I wonder what posterity will think by browsing through the menus of these years and how it will be easy to interpret the phenomenon with the benefit of hindsight. In the meantime, I wonder what could be wrong in making customers understand what they are going to order.
Having a photographic menu requires a high production cost and historically in fact applies to restaurants where the card changes approximately every decade or those who cook the classics, and find generalist photos of databases. It is true that it does not fit the chef's impromptu creativity or cuisine du marché, but would help life to everyone else, that is, the silent majority. Customers.

The online revolution

Google Maps has just introduced a Menu tab for restaurants and is studying a feature to associate the written menu item and price with the exact photo of the dish. In the online ordering apps photographs are quickly taking over, they are already a feature available on Deliveroo, although in Italy still few restaurants are seizing this opportunity. In rooms where orders are placed via iPad, software producers have shown that photographs make ordering faster, customer satisfaction rates higher and limit misunderstandings and complaints. Beautiful images even raise the average receipt.
The experts, alias the consultants, argue that a good menu can also grow 20% of restaurant receipts (up to 27% if the description gives a precise origin to the ingredients). This was explained by Oxford professor Charles Spence in his book Gastrophysics: the New Science of Eating. "Naming the farmer who grows vegetables or specifying a pig's breed can help add authenticity to a product. Consumers consider it a sign of quality, and words can make a dish more attractive . Wordtelling in words works, but imagine beautiful photos. We live in the society of the image and the appearance deceives, less and less.

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