Tag: Enrico

Enrico Crippa presents Sisaro, the Roero carrot – Italian Cuisine

Enrico Crippa presents Sisaro, the Roero carrot


On December 8th in Govone an unmissable event, an ancient vegetable protagonist rediscovered by Enrico Costanza, culinary gardener of Piazza Duomo, and his team

On December 8th, during the Magic Christmas Country of Govone, at the Food Festival, an important discovery will be presented for the territory: Sisaro, the white carrot from Roero.
Enrico Costanza, culinary gardener of Enrico Crippa, has rediscovered this ancient carrot variety, with a curious shape. The chef, three Michelin stars in Piazza Duomo Alba, will present Sisaro, the Roero carrot during an event open to the public (subject to availability) Sunday 8 December, at 3.30 pm, at La Serra del Castello di Govone.

It will be presented during Govone's Magic Christmas Country (the only Italian candidate for the Best Destinations Awards 2020, Christmas markets category), as part of the first Food Festival of the Roero (30 November – 1 December and 7-8 December), in which the best products of the territory will be told, with the precious collaboration of chef Davide Palluda (one Michelin star at the Enoteca di Canale) and, of course, Enrico Crippa.

We had a chat with chef Enrico Crippa and his culinary gardener Enrico Costanza to find out more about this ancient vegetable and we had the recipe that the chef created with Sisaro told.

Enrico Crippa, chef Piazza Duomo Alba

What does it mean for a chef to be able to create a dish with an ingredient like Sisaro?
I can say that for me, for us, it is a great feeling to be able to work with an ingredient, a vegetable, which was part of this territory. It was exciting to find this ancient ingredient, full of strengths and weaknesses, with all its characteristics: it has a very interesting taste on the palate, but on the other hand a difficulty of cultivation and a simple kitchen management, due to its shape . It is a niche ingredient, we have very little in the garden, because it is really an experiment, we can make very few dishes for the restaurant. For us, Sisaro is a great protagonist and he will also be one during the December 8th presentation event in Govone.

How important is the creation of the Piazza Duomo menus (in a creative sense) to have a vegetable garden like yours, managed by your culinary gardener Enrico Costanza?
Over the years the garden has become increasingly important and its presence on the menu has increased in weight to become the heart of the menu itself. If before the reasoning on the creation of the dishes was based, with each change of paper, on what we could accompany with a particular cut of meat or fish, now we do the reverse thought: what can we combine with a juicy and sweet onion, a crunchy cabbage or al Sisaro? Which protein can accompany that vegetable, that tuber, that vegetable?
The collaboration with Enrico Costanza and the whole team working in the garden has provided an increasingly good raw material, excellent products, year after year. We organize a meeting at the end of the season, where we all meet: if during the year we have discovered vegetables, vegetables, aromatic herbs that interest us and that are not present, we try to include them. For changes and implementation it takes at least two years and a thorough study of the ingredients. The vegetable garden to have a logical production (also understood as quantity for our needs) must be planned very well, from the spaces to the sowing times and the harvesting times. Without forgetting that we are at the mercy of the seasons and atmospheric events and the programming, even the most precise, often has to be revised because of the climate.
The processing of garden products for the Piazza Duomo kitchen starts already in the field, even before arriving here: to avoid downtime and double work, the preparation of vegetables and vegetables is done by Enrico Costanza and his team. Everything that arrives in the kitchen at Piazza Duomo is almost ready to be cooked. The seasons inspire the dishes and the menu: sometimes it happens to have very good products, but no longer in season. It is a continuous discovery.

Enrico Crippa's recipe for Sisaro
First of all we must clean and clean Sisaro well, then cut into small pieces. In the pot we prepare a base of hazelnut oil and chopped fresh winter onion, when it is well stewed, we add the Sisaro previously cut into small pieces. We cover with water and cook. When cooked, we prepare a cream, in practice it is the same procedure as the carrot cream. Unlike the carrot cream, Sisaro is assembled with hazelnut oil. We finish the preparation with the dish, with chopped hazelnuts, brown sugar, black pepper, juniper and salt. A very simple recipe, which enhances the characteristics of Sisaro, its sweetness and aromaticity.

Enrico Costanza, culinary gardener Piazza Duomo

Sisaro
In the wake of the great revival of the forgotten ancient vegetables, it would be worthwhile to rediscover the Sisaro (Sium sisarum), a plant that produces a collated root of a pleasantly sugary flavor already known in the Germanic area during the pre-Roman era and, subsequently, also cultivated in our peninsula. Although it cannot be verified that the "siser" mentioned by Pliny the Elder, or the favorite vegetable of the emperor Tiberius, is actually the plant in question, it remains certain that Sisaro was widely present in herbal texts and cookbooks from the Middle Ages and the Renaissance. In the kitchen the Sisaro was used until the end of the XVIII century and it experienced the decline with the introduction of the horticultural carrot. An interesting profile of Sisaro is traced by the Piedmontese botanist Oreste Mattirolo in his Piedmontese phytoalimurgia, which identifies the historic presence of this root in the area between Alba and Barbaresco.

How was (re) discovering this new but ancient vegetable?
In reality we have not discovered anything, but we have recovered Sisaro. My colleagues and I do a lot of research (the team that works in the garden is made up of 5 people coordinated by Enrico Costanza, ed), we travel, we read, we study a lot, we compare ourselves with many gardeners like us. Some time ago I found Oreste Mattirolo's book in my hands, Piedmontese phytoalimurgia, published in first edition in 1932. The manual was intended to help people recognize botanical species, even wild ones and eat them in the kitchen. It was republished by the publishing house Blu Edizioni of Turin by Bruno Gallino with the subtitle How to feed on wild plants, and still today it allows to make an important research on the lesser known botanical species on the territory. So we recognized Sisaro in the pages of Mattirolo's book.

On 8 December there will be this presentation dedicated to Sisaro, we are twinned with the municipality of Guarene, a municipality where this carrot of Alba was once cultivated and during the event we will give Sisaro's seeds, to encourage farmers to plant it in their vegetable garden. We are very curious about developments.
In recent years many people have started to do research, it almost seems like a revival of forgotten fruits and vegetables, it seemed right to bring Sisaro to light, to make it known to the public too, he will certainly have admirers who still don't know him.

Do you think it is possible to think of a new era of vegetables and ancient fruits?
I think it's a bit like fashion, there's a kind of hysteria, a craze to rediscover certain products. Sometimes it seems more like an obligation and a real interest, like wanting to put a brand at all costs to this or that product, arrive before the others. No doubt there are more deserving vegetables than others.

How sustainable is this kind of research for a company?
The Piazza Duomo Garden could be considered the essence of sustainability. For a restaurant of 30 covers, the garden is not huge and this is a great fortune, because it allows you to manage everything small and we can afford the luxury of doing research. Just like with Sisaro: the first time we did a test on 10 square meters of flowerbed, if it went wrong we would have gone further. The luck of having a micro garden means a lot of freedom to experiment, a production that changes constantly.
The strength of the restaurant, the strength of the kitchen, is having a very fresh raw material. Work begins when we decide what to sow, what to plant, what to eliminate because it is no longer interesting. We consider ourselves a kind of tailors who create a different collection every year.
There is also the collection in the open countryside, the inspiration of the day, like that of violets: a team of 6 people spends half a day between fields and glades to select the most beautiful flowers. The dish created in the kitchen, with that flower, will be unique.
Vegetables and vegetables are harvested in the garden every day at 6 am and end around 8 am, when Crippa personally picks up the vegetables.
The organization is at the base of everything: if we have reached this point, it is thanks to a tried and tested and very precise work system, let's say almost millimeter.

Who is Enrico Bartolini, the man of the stars – Italian Cuisine

Who is Enrico Bartolini, the man of the stars


Reserved, indefatigable, great at choosing employees. The Tuscan cook, on tiptoe, has come to be the best in Italy as a number of stars. Past, present and future of a master (little visionary and very concrete) of the kitchen

Milan and Milan. It can make one smile that Enrico Bartolini, the eleventh winner of the Italian Michelin Guide, mentions this combination in each interview. He is Tuscan from Castelmartini (a small town in the province of Pistoia), 40 years old in a boy's body. Milan because it has become his city. "Explosive, it has incredible energy. I didn't find myself in Cavenago, otherwise they wouldn't have rewarded me with the double Michelin star. However, every time I moved, obviously problems arose and therefore I felt stuck. With the Mudec a world has opened up, success has led to new premises and these to other initiatives ". Milan because in homage to his median past and to the football faith (for years he cooked in a lounge during the big matches at San Siro and was a guest several times at Milanello) he called himself the "Pirlo dei fornelli": it seemed like a act of presumption, instead Bartolini is showing the genius of the Rossoneri champion. With the extra star for the Mudec and the one added to the Venetian Glam, the Bartolini network has reached eight "macarons". "If they had predicted this when we moved out of the Devero, I would have laughed. It is an incentive to continue to do well, but also to find more and more courage to put into practice the ideas we have in our head .

From the trattoria to the Mudec

Bartolini is a pure talent, with the spirit of steel. A person who started holding pots in his uncle's Pistoia trattoria – practically an adolescent – and then wandered around Europe to learn, and above all suffering. He "turned" in a three-year period spent among the Alajmo locals, one of the great families of Italian cuisine: from that day on he became an adult and walked with his own legs. «It was the chef who gave me the most emotions in the kitchen. Massimiliano was a little older than me, but he already had three Michelin stars. The only regret is that I wasn't able to steal even more, I was too young . First star in Oltrepò Pavese, land without real champions: it was 2009, after four years at Le Robinie di Montescano. Then two years later he went into the "bomboniera" inside the (terrible) Devero Hotel in Cavenago, the autogrill – it was said – more greedy in the world, given that it was overlooking the Milan-Bergamo. Still, Bartolini gets the second Michelin star in 2013. The New Milan could not leave him there and then the Mudec opportunity arrived, in via Tortona: bistro on the ground floor and elegant restaurant on the third, staged in a few months, exactly as it had happened Silk at the Mandarin Oriental.

A network between Italy and the world

It's the beginning of a new story. Of a series of rooms that ring one star after another. Starting with the Venetian Glam, led by the talented Donato Ascani, who won the second star. The others belong to Casual Ristorante di Bergamo, Trattoria Enrico Bartolini in Castiglione della Pescaia (where the satisfaction of taking the place of Alain Ducasse, with better results) was taken, at Tenuta La Badiola which hosts the exclusive L'Andana resort and at the Locanda del Sant'Uffizio in Cioccaro di Penango, in the Monferrato area. In addition, he manages Poggio Rosso in Borgo San Felice in Tuscany and three premises abroad: the splendid Spiga in Hong Kong and the two bistros Roberto's in Dubai and Abu Dhabi. "We must offer foreigners what they expect from us and nothing else . Respect the ingredients, prepare the dishes in a delicious and traditional way. The foreigner barely accepts creativity in Italy, figured at home. It makes no sense for me to revisit amatriciana in Asia or the Emirates: it is already a problem to find the right raw material to cook it. I have nothing against them, but I get as much "stuff" as possible from Italy, "he explains.

Not innovative, but contemporary

Bartolini is not considered an innovator par excellence. «I am a chef who looks at traditional recipes with a technical and contemporary eye, if I am allowed this definition. I don't like to deconstruct or change by force, but to improve and lighten yes: in many historical dishes, by now, you can avoid the heavy part and find the squaring of the flavors. I always mention as an example our Rock anchovies in the meeting of saor and carpione that seem another thing, but they are "that" ancient dish ". Al Mudec – a minimal and suggestive place, inside the Via Tortona museum, and with a crazy cellar – he found the squaring of the circle proposing two tastings: the Be Contemporary – very seasonal and full of ideas – and the Return to my Origins with signature dishes. Some are part of the history of Nuova Cucina Italiana: Buttons of oil and lime with a sauce of cacciucco and roast octopus, risotto with beetroot and gorgonzola sauce Evolution, Oxtail with Royale, Gold and Chocolate.

The role of Capitaneo

Equipped with an Anglo-Saxon humor (but only a few), gentle but not obsessed with communication, Bartolini is part of the circuit because he has been at the top for years, but he lives in a detached way, also because he does not have much free time. His public outings are very rare, almost impossible to find shots where he is in the company of colleagues in formal and informal events. He is obviously esteemed, but he does not receive immediate sympathy also because in his growth strategy he has often fished talent in other top-level kitchens. But choosing who enters the team is part of the game and in this it probably has no rival in Italy. And it does not belong to any of the great families of Italian cuisine: that of the Campanians, Romitians, Botturians, Marchesi boys. His family, ultimately, is the one that animates the various premises and who blindly believes in his captain; his exemplary right-hand man is Remo Capitaneo – three years younger, Puglia from Foggia – who for ten years, besides leading the Mudec when Bartolini is absent, monitors the empire and chooses his collaborators.

The next stars …

With the new recognition, Bartolini can inflate his chest for another aspect. Curiously it was he who brought the three stars back to Milan that had evaporated in 1993 when Gualtiero Marchesi moved them to Franciacorta. "It is an honor of course, I never met the Master, but like all Italian cooks I can only owe him something and consider it an extraordinary example for our profession," he said yesterday. Satisfied? Absolutely not. «At 40 I can start my real career. It's a refrain that they tell young chefs, but all in all, now that I think about it, it's not entirely wrong. If I look for example at the Alajmo or at the Cerea, I still have a lot to do . For example, that ninth star that many are predicting for the last venue they have managed: Poggio Rosso. Appointment to 2020.

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