Tag: Teresa

Teresa Mannino: «In Milan you have brunch, we eat cazzilli – Italian cuisine reinvented by Gordon Ramsay


He will also be among the co-hosts at Sanremo 2024 Teresa Mannino who, at the 74th Sanremo Festival 2024, starting on February 6th, will join the host and artistic director Amadeus on the evening of Thursday 8th. Sicilian comic author and actress, born in 1970, Mannino “with a unique and original gaze observes and tells what happens in the small world of private relationships and in the large world of the public scenario”, we read in his bio.

Amadeus, Mannino and chef Andrea Berton. “We have chosen the ingredients, now we just have to mix them”. (@teresamannino_official)

Differences at the table between North and South

“I’m very ready, because I’ve been preparing for a lifetime,” she declared some time ago on Tg1. «But not in Sanremo, but to say what I think, which is what I will also do on that stage. And on the Ariston stage Mannino will not disappoint. Her gags tell of herself, a Sicilian transplanted to the north, to Milan, but also of the relationship between man and woman, parents and children, partly focusing on the differences between north and south, which mostly revolve around the relationship with food and the relationship with time. «Food for us southerners is linked to the emotional sphere, in Milan you give flowers here, we give trays of sweets. The weekend doesn’t exist for us, because we have Sunday lunch with relatives, of which there are two in the end, one to eat and the other to digest. Ours is not your brunch, we have pasta with sardines, stuffed aubergines and fried cazzilli.” And fried cazzilli are among the goodness of traditional Sicilian cuisine, delicious potato croquettes typical of Palermo street food. In fact, in Palermo they can be found in all the fried food shops, but they are served with panelle, the fried variant of chickpea farinata. Here is the recipe and five tips to avoid mistakes.



Teresa Galeone, when the Michelin star arrives also thanks to La Cucina Italiana – Italian Cuisine

Teresa Galeone, when the Michelin star arrives also thanks to La Cucina Italiana


This story we are going to tell you is set in a landscape without screens, a post-atomic and pre-Saffron Yellow space-time, where smartphones were not yet even an intention and Zuckerberg was not yet born. Apple yes, but the most common apple in the houses was still the Golden yellow. The televisions were the ones with the cathode ray tube, a Marchesi used to go in from time to time, a Vissani sometimes, and the closest container to a cooking program was a quiz game, Lunch was served led by Corrado (Mantoni). This is the landscape in which Teresa Galeone, lady in the kitchen of Already under the arch in Carovigno (Toast), he trained his cooking muscles: without teachers, without school, without a rag of tutorials. Like many other cooks of his generation, of course, with mothers and grandmothers as the only sources of supply of culinary information. But with a difference and a hidden treasure. The difference: a talent that allowed her to write the story of a self-taught chef who ascended the Michelin empyrean. The treasure: a collection of hundreds of numbers The Italian kitchen who rescued her, raised her, accompanied her in that ascent, which shows us de The Italian kitchen for the first time and exclusively (who else?).

Osteria Already under the arch: history

Step back. Already under the arch, the cornerstone of the Apulian haute cuisine, it was born as a tavern in the intricate maze of alleys in the historic center of Carovigno. This is where the Buongiorno family laid meals for farmers in transit and refreshment for men looking for a good glass of bulk wine. It is known history. Teresa enters the scene as the wife of Theodosius, son of the hosts, and works alongside her mother-in-law and sister-in-law in the kitchen. “I had a gregarious role, but I liked cooking and I had a desire that bit me on the sides to do and do better and better. In 1987 I became a mother, Antonella was born in June. Shortly thereafter I asked Tosio to buy me La Cucina Italiana, I cradled the little girl and read. I was studying at night. "
Lady chef he holds the first issue of his treasure in his hands, the date is July 1987, the cover is worn on the edges but the copy of the "monthly of gastronomy with the kitchen in the editorial staff" founded in 1929, is perfectly preserved. “She was my teacher – Teresa, leafing through, gives voice to thoughts – my guide. I have learned everything I know from these pages. It taught me how to boning and filleting. I tried the recipes from the first to the last page. I am not exaggerating. It is certain that I made all the desserts, from the first to the last, and in the next life I swear that I will be reborn as a pastry chef. I tried all the preparations that did not require too high a food cost. In short, no caviar. The family was my guinea pig, and I went on page after page without ever stopping ”. With Tosio by his side, always. A few years later the two boys harbored the dream of going one step further. What they do is take the reins of the family sign and move it exactly to the center of the city, in Piazza Vittorio Emanuele, within the walls of the elegant eighteenth-century building that had housed the town hall, before even a school, before even before the rectory of "Pope" Vincenzo (in the countries the parish priest has the authority of cardinal). The same building that had hosted a brothel before the law. In short, a place for sinners of the flesh or the throat. The second life of the Osteria Already under the arch began in 1992. Theodosius takes a seat in the dining room, Teresa is a single woman in charge of the kitchen. Loss and freedom. No boundaries and so much fear. It is a path to look for.


Teresa's evolution

Reading, making mistakes, trying, trying again and scientifically dodging the spotlight, Teresa makes the history of the Apulian restaurant without giving it air, perhaps without even realizing it. “I found the narration of La Cucina Italiana easy, the perfect descriptions. If you followed the letter it was impossible to make a mistake. He recommended pairing with wine. And you found the cue to cook every day. I never wanted to sign up for a subscription, our trusted newsagent was right in front of our house, one step away from the restaurant, my husband never missed the appointment for a single month ". News stand Lofino, incidentally, is a resistance garrison still active at number 6 of via Adua in Carovigno. Teresa continues her story. “The school of La Cucina Italiana has helped me to emancipate me from my amateurish condition dealing with a restaurant. If I have ever perceived the evolution from those beginnings to a state of maturity in the kitchen? Frankly not. Here, among these pages I have had experience. To me, from Puglia, he taught to make risotto. And at some point I began to collect the compliments of the Milanese. The same thing happened with my braised meat, which Piedmontese people like a lot ", two small sagging pride that takes the place of shyness.

“My favorite column was the Cooking school. With monothematic lessons on horse meat, for example: I learned how to cut, how to behave with cooking. Especially fish, we in Puglia eat it whole, especially raw. I learned that fish is a world, you can offer it in slices, filleted, in a thousand ways. I remember a lunch at Don Alfonso, we ate a wonderful pigeon. It was crunchy on the outside and soft on the inside, the chest was pink. I shyly asked the chef how they got that result. Well, I waited anxiously for the number on the game of La Cucina Italiana and only then did I understand all the background of that dish, and I made one of my own, the Pigeon thigh and currant breast. We had it on paper for a long time, it was very successful. "

Teresa Buongiorno continues to churn out successful dishes and has baked many. The basic recipes learned at his personal school, he interpreted them with the raw materials of which Puglia is a generous land. Mediterranean cuisine with thoughtful additions of creativity, such as his Burrata in kataifi pasta, capocollo of Martina Franca, immature tomato cream and dehydrated olives, the enveloping and super-tasty Fusilli with white lamb ragout on ricotta cream, the whole Quail truffled with mashed seasonal potatoes and mixed salad, evidence of a round, comfortable cuisine, performed with an elegant hand. Above all capable of keeping up, impervious to fashions, identity and innervated by its clear recognition and also therefore evergreen. Like the girl in the kitchen with black black eyes who light up while leafing through the pages you can't live: "Look here – she smiles – all stuck, between cooking vapors and sugar". "The kids of today make me a little envious. They have millions of images to draw on every day, every moment. The kitchen on the other side of the world arrives on the screen in their pockets or perpetually by the hands, and they can reproduce anything they want. I didn't have this chance. " The challenge is between paper and post, between pixel snapshots and newspaper libraries.

It is a moment. Teresa turns her gaze back to her neat collection of La Cucina Italiana not in exit order, but for months. It's theobsession with seasonality which dictates the line in the kitchen and in the archive, so as to draw inspiration from fishing in the right period. But there is a precious number above all, the year 2005, the month of July. “They contacted us inviting us to the editorial office in Milan. A dream that came true, and a deadly anxiety that choked me. Tosio and I left from Puglia with all the ingredients that otherwise we could not have found. We brought durum wheat flour for the fresh pasta, the soaked chickpeas did a thousand kilometers with us, the ice cream for the zuccotto. A firm. Arriving at our destination, we spent a memorable day, preparing everything from the appetizer to the dessert for the photo shoot. We were greeted by the director of the time, Paola Ricas, a refined, elegant, helpful and welcoming woman ". Two pages full of words and images, and a portrait of Teresa with the smile of the great occasions for the column "They will be famous". Prophetic. Like the magazine that has just turned 90 raising generations of cooks and cooks. Under the roof of your home or under a starry sky.

Santa Teresa, the Venezuelan rum #To taste! – Italian Cuisine


There are bottles and bottles. In this rum we found an incredible story to drink with lots of ice (and a desire to change the world)

Rum Santa Teresa: amber color and tending to red, aroma fruity with wood notes, resulting from long aging in oak barrels. Taste complex, toasted and smoked, with hints of bitter chocolate, honey, plum, walnuts, cinnamon, vanilla, tobacco, leather and pepper.

Why: it is soft, dry and well balanced. It can be enjoyed alone, but only after having heard the story.

What makes it unique: its unmistakable taste, of course. But also the crazy story contained in each bottle. Alberto Vollmer Herrera, CEO of Santa Teresa, changed the fortunes of the company one night in 2003, when three guys attacked a company security man to steal his gun. The young criminals were given the risky proposal to avoid prison if they had agreed to work for Alberto Vollmer Herrera, in the same place they had attacked. From this was born the Alcatraz Project, today one of the most rigorous and demanding national and international social reintegration programs. But also among the most effective. Since the start of the project, over 200 young people have been recovered, who have contributed to triggering an unprecedented virtuous circle. Thanks to their commitment in hacienda, the crime rate has been reduced by 90% in Revenga (city of Santa Teresa). At the base of the success of the project a unique combination of education, work and sport, rugby in particular. The success of the formula led to the birth of the Invictus project which allows more than 300 prisoners in 8 different penitentiary centers to practice rugby and hope for social reintegration.

Photo: Alejandro van Schermbeek

On the rocks: we tasted this rum in the most classic cocktails, but it was the pure tasting on a large ice cube that convinced us even more. A meditative glass, intense and positive, to drink by giving great speeches and thinking about tomorrow. Even on days when everything seems black and the story of Alberto Vollmer Herrera urges us to turn difficulties into possibilities.

Proudly powered by WordPress

By continuing to use the site, you agree to the use of cookies. Click here to read more information about data collection for ads personalisation

The cookie settings on this website are set to "allow cookies" to give you the best browsing experience possible. If you continue to use this website without changing your cookie settings or you click "Accept" below then you are consenting to this.

Read more about data collection for ads personalisation our in our Cookies Policy page

Close